reihaneh
Member
در گذشته هنر آفرینش زیبایی بود تا مردم اون رو در مقابلشون قرار بدن و ضمیرشون به یاد جایی بیفته که ازش اومدن و باید به همون برگردن و در نتیجه به سمتش حرکت کنن ولی گویا امروز هنر هنرمندان آفرینش زشتی هاست تا انسان ببینه و از اون فرار کنه
منبع:http://www.sweet-station.com/blog/?p=1044
شاید بگید قرار دادن این موضوع هم مثل اسب بیچاره هست ولی وقتی کسی این ها رو به عنوان هنر که همیشه نماد زیبایی بوده خلق می کنه، سایرین هم اون رو تایید می کنن، آثارش رو در بسیاری موزه ها به نمایش میزارن و از ساخت و نمایشش دنبال هدف می گردن، شاید باید بیشتر فکر کرد،
یا بشر و به تبع اون هنر رو به زواله و در اشتباه و باید جلوی اونو گرفت یا تغییر زمانه ارزش ها رو تغییر داده ، باید بهش احترام گذاشت و باهاش کنار اومد و موضوعاتی مثل اسب بیچاره رو ارزشمند ترین ها و در سطح هنر دونست
” Berlinde De Bruyckere is an artist based in Ghent, Belgium.
She specializes in sculpture in various media including wax, wood, wool, horse skin and hair, though she also works in watercolour and gouche. Her work typically deals with issues of loneliness, pain and death, and since the early 1990s many of her major works have featured structures involving blankets. Their use is symbolic both of warmth and shelter, and of the vulnerable circumstances such as wars that make people seek such shelter.
In 2000, her work with five dead horses, In Flanders Fields, a commentary on World War I, was exhibited at the In Flanders Fields Museum, Ypres. She gained international acclaim at the 2003 Venice Biennale, when her sculptures were shown in the Italian Pavilion. Since then, her solo exhibitions have included ones at Hauser & Wirth, Zurich (2004); La Maison Rouge, Foundation Antoine de Galbert, Paris (2005); and De Pont Foundation for Contemporary Art, Tilburg (2005). In 2006 her work was included in the 4th Berlin Biennial for Contemporary Art and exhibited in a two-artist show at the Kunsthalle Düsseldorf. ”
She specializes in sculpture in various media including wax, wood, wool, horse skin and hair, though she also works in watercolour and gouche. Her work typically deals with issues of loneliness, pain and death, and since the early 1990s many of her major works have featured structures involving blankets. Their use is symbolic both of warmth and shelter, and of the vulnerable circumstances such as wars that make people seek such shelter.
In 2000, her work with five dead horses, In Flanders Fields, a commentary on World War I, was exhibited at the In Flanders Fields Museum, Ypres. She gained international acclaim at the 2003 Venice Biennale, when her sculptures were shown in the Italian Pavilion. Since then, her solo exhibitions have included ones at Hauser & Wirth, Zurich (2004); La Maison Rouge, Foundation Antoine de Galbert, Paris (2005); and De Pont Foundation for Contemporary Art, Tilburg (2005). In 2006 her work was included in the 4th Berlin Biennial for Contemporary Art and exhibited in a two-artist show at the Kunsthalle Düsseldorf. ”
منبع:http://www.sweet-station.com/blog/?p=1044
شاید بگید قرار دادن این موضوع هم مثل اسب بیچاره هست ولی وقتی کسی این ها رو به عنوان هنر که همیشه نماد زیبایی بوده خلق می کنه، سایرین هم اون رو تایید می کنن، آثارش رو در بسیاری موزه ها به نمایش میزارن و از ساخت و نمایشش دنبال هدف می گردن، شاید باید بیشتر فکر کرد،
یا بشر و به تبع اون هنر رو به زواله و در اشتباه و باید جلوی اونو گرفت یا تغییر زمانه ارزش ها رو تغییر داده ، باید بهش احترام گذاشت و باهاش کنار اومد و موضوعاتی مثل اسب بیچاره رو ارزشمند ترین ها و در سطح هنر دونست
